This article may have. Please help improve the article by merging similar sections and removing unneeded subheaders. (January 2018) () has a rich history of art of entertainment. The three modes of entertainment classified as Iyal (Literature), Isai (Music) and Nadagam (Drama) had their roots in the rural folk theatre like Theru ( Street play). Many forms of group and individual dances with the classical forms for popularity and sheer entertainment value. Some of the dance forms are performed by Tribal people. The majority of these dances are still thriving in today.

A Bharatanatyam performer in expressing a part of a play with hand and facial gesture, in the dance's distinctive bent leg position. Is a major genre of that originated in Tamil Nadu. Traditionally, Bharatanatyam has been a solo dance that was performed exclusively by women, and expressed South Indian religious themes and spiritual ideas, particularly of, but also of and. Bharatanatyam may be the oldest classical dance tradition of India. Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of based on gestures of hands, eyes and face muscles.

The dance is accompanied by music and a singer, and typically her is present as the director and conductor of the performance and art. The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the. The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance). Bommalattam or puppet show [ ] Puppet shows are held in every village during festivals and fairs.

Many different kinds of puppets are used for this show - cloth, wood, leather, etc. They are manipulated through strings or wires. The stand behind a screen and the puppets are held in front.

The stories enacted in the puppet shows are from, and. These shows are very entertaining and hold both adults and children enthralled for many hours.

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Chakkai Attam [ ] Teak woodenpieces size of 7 X 3/4 inch are held between the fingers which make the noise. Eight to ten dancers stand in a circle or parallel lines. The accompanying songs are generally about gods and goddesses. Devaraattam [ ] Devarattam is a pure folk dance still preserved by the descendents of dynasty at Kodangipatti of District. It was actually performed once a year near the temple and that too restricted to community alone. Folklore research scholars have found that Devarattam is a combination of ancient 'muntherkuruvai' and 'pintherkuruvai' of the ancient Kings.

It was performed in front of and at the chariot on the victorious return of the King and his army from battle field. Sometimes even the king and his marshalls would dance on the chariot deck. The soldiers and female dancers would form in lines and dance behind the chariot. Today, this dance does not have any songs but only danced to the beat of Urumi Melam, Thappu Melam and sometimes, a long flute. The dancers hold a kerchief in each hand and swing them as they dance.

Genso Suikoden Ii Ost. The person leading the dance wears false beard and a mask decorated with shells to look like teeth. He dances the first step, which others follow. Kamandi or Kaman Pandigai [ ] This is celebrated to commemorate the puranic event when the God of was burnt to ashes by in anger. The villagers separate themselves into two parties as and and a heated debate ensues.

And, his, are main characters. Kai Silambu Attam [ ] This dance is performed in temples during Amman festivals or Navaratri festival. The dancers wear ankle-bells and hold anklets or in their hands, which make noise when shaken. They perform various stepping styles jumps. The dance is in praise of all female deities, the most preferred being the powerful angry goddess - Kali or Durga.

Kali Attam or Kolattam [ ] Kali means joy or fun and games. Hgtv Interior Design Software Torrent more. This is also known as Koladi, Kolkali, Kambadi Kali and Kolaattam.

Sticks one foot length are held in each hand and beaten to make a sharp, rasping sound as the dance proceeds with unique steps, twisting and turning. It is danced by both men and women, during festivals, auspicious days and weddings. The special qualities of the dance are quickness, alertness, while being careful not to hurt the other dancers by the swinging 'kol'. Earlier, the 'kols' were brightly painted and decorated with brass rings, bells etc. The dancers used to wear ankle-bells. However, no special dress or make up was used for this dance.